Travel [1973]

a.k.a. The Trip a.k.a. Tabi This is a Japanese cutout animation film by Kihachiro Kawamoto, chronicling a young woman’s journey by plane to an unspecified city. Differing from his usual technique of puppetry, this film is illustrated, and animated by a stop-motion style known as kiri-gami. This cutout style is … Continue reading

Krabat – The Sorcerer’s Apprentice [1977]

a.k.a. CARODEJUV UCEN (Czech) [Not to be confused with the 2008 live-action film, Krabat]

Director: Karel Zeman

Krabat is a dark fantasy tale about an orphan and a magician, based upon the German book The Satanic Mill, which in turn was based on an old Sorbian fairy tale. Our young protagonist has the bad fortune of falling into the clutches of the black sorcerer and having to endure many hardships. All seems lost, but, as with most fairy tales, the dark and sinister is oft-thwarted by the powers of good. And, like most older fairy tales, Krabat is disquieting, grim, deadful, and not truly suited for children.

Krabat - The Sorcerer's Apprentice

This is a Czechoslovakian animated film with a unique look, similar to woodcuts come to life. It is reminiscent of those gimmick books where you can open a door to see what’s behind, or pull a flap to make something move. Zeman created a very stylized film, perhaps due to necessity. It’s a case where working within limitations can be your virtue. It’s almost like a mutant cross between South Park and Fantasia. The atmosphere is eerie, creepy, and conveys the hopelessness of the situation, but it’s also fantastic, mystical, and oddly beautiful. This may not be one-of-a-kind, but it’s close. There are few films that have this same feel and content. Definitely a lost treasure of early animation, nearly unknown to the English speaking world.

Although done in a now primitive, obsolete, and low-budget manner, this film is put together with so much imagination and care that it remains captivating. Containing layering and parallax scrolling, it’s hard to imagine the pain-staking effort that must have gone into this. It’s obvious that the love of the craft compelled him. Armed with little more than imagination, he has put many modern, advantaged filmmakers to shame. The splashing water effects must have been quite a challenge. I only wish there was a behind-the-scenes documentary out there that explained Zeman’s techniques with this masterpiece. Apparently his daughter Ludmila was an illustrator and she helped him construct the paper puppets, but little else seems known.

There’s no version with English audio, but it is possible to find a version with English subs. It’s a fairly rare find, so watch it if you have the opportunity to do so.

For fans of: Fantastic Planet (1973), Brothers Quay, and Jan Švankmajer.

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